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Salvador Dali in Montmartre

There is something shocking in the character of Salvador Dali that impregnates with a halo of concern his full works. This born exhibitionist who made his life a media show was, at once a timid, even withdrawn character. While this indefatigable diver  of the depths dived in the unconsciousness of his being, he started in life at  an early age surrounded  by  books full of art, knowing that his genius lurked behind his well-know desire for provocation. Precursor of modern performances, he found the right environment for it in the bustling Paris between the wars. Despite his  elitist education (no need to remember the names of those with whom he shared the concerns of youth), or because of it, Dalí was suffocating in the academic environments of a stale Madrid in the early years of the last century. Young Salvador was possessed by a ghost (the unconscious one, the dark and female part  of the male psyche) that constantly egged him to find new discoveries. It is therefore not surprising that uttering the famous phrase at the Academy (“None of us who are here have enough talent for self-examination” in a fairly free quote) headed  to Paris, the intellectual and artistic center of the time. To say that Paris in the early decades of the twentieth century was only  the meeting place of writers, painters, sculptors, filmmakers and intellectuals from around the world is an brutal understatement. In the bohemian neighborhood of the French capital all those who now occupy whole chapters of history rubbed together. Paris attraction exerted itself as a powerful magnet for all those restless creative... read more

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